The Seven Dreams

by Goldbug

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  • Compact Disc (CD) + Digital Album

    A 4 panel physical CD edition designed with original typography by Dejha Ti. Photography by Tim Motzer. Illustration by Austin Dodd.

    Includes unlimited streaming of The Seven Dreams via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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about

Goldbug: The Seven Dreams
The Seven Dreams is an immersive autobiographical musical journey into the psyche of dreams featuring Theo Travis (Gong, Steven Wilson) on tenor sax, flute, and ambitronics, Tim Motzer on baritone guitar, prepared guitar, piano, loops, and electronics along with bassist Barry Meehan and wunderkind drummer Eric Slick (Adrian Belew Power Trio, Dr Dog).

Goldbug reviews: (as of August 30, 2010)

"Starting out as a project between Base3_ colleagues Tim Motzer (guitar) and Barry Meehan (bass), Goldbug came into being after a fortuitous jam session with the gifted drummer Eric Slick, then in-between sessions with the Adrian Belew Power Trio.The results are as energetic as they eclectic. After an impressionistic, FX-laden introduction, the album album gets underway appropriately enough with The Departure. Slick’s hyper-active drumming creates a beguiling rhythmic static intermittently pierced by Barry Meehan’s combative quicksilver bass runs. Motzer doesn’t so much play a solo as smear luminescent echo-drenched notes against the fields of colour and rhythm created by his colleagues.There’s a real sense of tension throughout the record that comes from never being quite sure of what might lie around the corner. Thus we have a constantly percolating space-jazz, flecked with the radiant arcs of gleaming solos, notes colliding via irregular orbits, intriguing clusters of intense interplay, interspersed mysterious dissonant events of glitch-infused electronica.The strategic addition of UK sax and flute player, Theo Travis, shifts the gears and expertly stokes up The Seven Dreams’ fiery clamour exactly when needed.The Past Is Still Present, tethered to Mehan’s recurrent motif - not a million miles away from Coltrane’s A Love Supreme - is a courtly dance conjured by spiralling tom-toms and Motzer’s sustained minimalist picking. Suddenly Travis’s tenor enters raking over the coals, adding his own spark and raucous bite. Stirring stuff for sure."
Sid Smith - Classic Rock Magazine (UK)

*****

"Ok, time for my album of the year pick. Yea, yea..I know it’s only the end of August but I highly doubt there’s going to be another album released this year that impresses me as much as this one does. There is so much going on in this disc to dig and I hear something new each time I play it. Lots of variety and very impressive musicianship make this a work that I’ll be coming back to again and again. In a word, this disc is stunning." Progressive Ears

.......

In The Seven Dreams, the debut from Goldbug, jazz and experimental music weave themselves so closely together they don’t recognize their own limbs. Consisting of experimental guitarist/electronicist Tim Motzer, his bass-playing partner in crime Barry Meehan, British woodwinds legend Theo Travis and young gun drummer Eric Slick, the band composes and/or improvises a set of tunes that owe as much to contemporary glitch electronica as to the ECM work of Bill Frisell and David Torn. “Shadow Memory,” the record’s jazziest and most accessible cut, opens the record with atmospheric melody and buoyant rhythm. But things take a turn for the surreal, with the following tracks bleed into one another like newspaper ink in the rain, culminating in the probing “Scratching the Third Eye.” “The Past is Still Present” reflects its title with circular basslines, steady drums and guitar licks that break the surface like random thoughts of times past, before transitioning to the soothing assertion of “Persistence of a Memory.” Slick and Meehan keep the engine swinging, even as Motzer sprays e-bow moans and laptop bloops all over the windshield. Travis just seems to appear and disappear at will, with ghostly flourishes that can’t be as random as they seem. It’s hard to tell if projects like this are one-offs or the beginning of something lasting, but on the evidence of The Seven Dreams, I hope it’s the latter.
The Big Take Over

credits

released September 27, 2010

personnel:
TIM MOTZER - guitars, keyboards, piano, laptop
THEO TRAVIS - tenor saxophone, flute, ambitronics
BARRY MEEHAN - bass, piano, voice
ERIC SLICK - drums, percussion, voice, kaos pad

produced by tim motzer for 1k recordings
all music composed and improvised by goldbug.
album arranged and sequenced by tim motzer and barry meehan.
mixed by jeff chestek and tim motzer.
mastered by jeff chestek at the hat, philadelphia january 2010.
recorded by tim motzer at nautica, philadelphia june 2009 except
saxophone & flute recorded by theo travis at ether studio london december 2009

istanbul and philadelphia field recordings by tim motzer.
theo travis uses the travis system of ambitronics.
scarab illustration by austin dodson cover photo: norwegian wall by tim motzer design by dejha ti

thank you: zvex, line6, guyatone, nomad factory, ableton, paiste cymbals, vater drumsticks, evans drum heads, mcd drums, apple, fender, ashdown, universal audio, and zoom.
licensing requests: info@1krecordings.com
published by one k music co (bmi) c p 2010 1k recordings. (1k016) all rights reserved.

4 Panel Physical Edition CD available here:
1krecordings.com/1kstore/shopexd.asp?id=217

1krecordings.com
myspace.com/timmotzer
theotravis.com
myspace.com/theotravis
ericslick.com

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1k Recordings Philadelphia, Pennsylvania

1K RECORDINGS
is an eclectic Philadelphia label run by guitarist Tim Motzer with a catalogue of genre-defying releases of solo works and collaborations from the avante-garde to art pop.

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